Museo Salvatore Ferragamo: Throughout Artwork And Style
At different venues in the environs of the Museo Salvatore ferragamo belt outlet in the heart of Florence, an exhibition named ‘Across Artwork and Fashion’ (Tra Arte e Moda), that encompasses clothes, equipment, fabrics, works of artwork, books, periodicals and images, considers the usually-discussed relationship between fashion and art.
'In the last 10 years, artists have been reflecting on the commercial aspect increasingly', in response to Stefania Ricci, director of the ferragamo belt outlet; similar webpage, Museo. 'And vogue designers are using art extra too', she continues, 'in analysis and inspiration'.
With the weighty backdrop of Florence’s history as a gathering place of artists and incubator of artwork, it’s only fitting that Salvatore Ferragamo selected Uffizi Gallery, the National Library, Museo Marino Marini and the museum of Textile in Prato as its collaborators. 'In the Renaissance, there was no distinction between art and craftsmanship', Ricci remarks, and that’s the place Mr Ferragamo, the Florentine shoe designer comes into the picture.
There is no query that he was deeply fascinated by avant-garde artwork, as a lot as he was fascinated by the glamourous Hollywood world he equipped with elegant footwear. He collaborated with both Dior and Schiapparelli, and bedecked each Audrey Hepburn and Peggy Guggenheim.
Ferragamo took a great deal of inspiration from the colourful works of Sonia Delaunay and from Kenneth Noland’s circular abstraction, and alongside these items contemporary designers like Yohji Yamamoto and Issey Miyake share the plinths with Yinka Shonibare, a Nigerian artist who uses African waxprint textiles in nineteenth century silhouettes, and Martin Margiela, Helmut Lang and Gareth Pugh. 'Primarily, all of them handle the issue of the physique', concludes Ricci. As did Salvatore Ferragamo, who produced his best work in the 1920s and 1930s, and who will go down in style historical past because the shoe designer who artfully altered our silhouette from the ground up.